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Image 1 of 1
Image 1 of 1
Image 1 of 1
This fine art underwater photograph documents a rare close encounter with a wild orca (killer whale) in the open ocean near Cabo San Lucas, Mexico.
Many experienced photographers advise using blind shooting when photographing extremely fast animals such as marlins or orcas.
The logic is simple: the eyes cannot keep up, so the camera is swung along the animal’s trajectory, hoping to capture the moment.
I chose a different approach.
Having spent more than a decade as an improvisational musician, real-time creation has always been central to how I work.
For me, the highest energy does not come from chance, but from total presence.
I believe that even the smallest difference in timing or framing changes the emotional weight of an image.
During this encounter, I used an external monitor and remained fully engaged with composition from start to finish.
There was no blind shooting—not even for a fraction of a second.
My focus remained on synchronizing vision, movement, and decision-making in real time.
Orcas move with extraordinary speed.
There is no rehearsal, no second chance.
Everything must be decisive: body position, descent angle, framing, and timing.
This image was created through a rapid, committed descent and complete sensory alignment, capturing a single, unrepeatable moment.
Collection Series: 2025 - 2026
Location: Cabo San Lucas, Baja California, Mexico.
Edition Details:
Limited Edition of 30 (Signed & Numbered)
Medium: Fredrix® Archival Fine Art Canvas (Imported from USA).
Printing: EPSON SC 20000 Giclée with HVLP Museum Matte Varnish.
Finish: Hand-stretched on wooden frame with acid-free archival backing tape.
Status: Ready to Hang (No framing required).
This fine art underwater photograph documents a rare close encounter with a wild orca (killer whale) in the open ocean near Cabo San Lucas, Mexico.
Many experienced photographers advise using blind shooting when photographing extremely fast animals such as marlins or orcas.
The logic is simple: the eyes cannot keep up, so the camera is swung along the animal’s trajectory, hoping to capture the moment.
I chose a different approach.
Having spent more than a decade as an improvisational musician, real-time creation has always been central to how I work.
For me, the highest energy does not come from chance, but from total presence.
I believe that even the smallest difference in timing or framing changes the emotional weight of an image.
During this encounter, I used an external monitor and remained fully engaged with composition from start to finish.
There was no blind shooting—not even for a fraction of a second.
My focus remained on synchronizing vision, movement, and decision-making in real time.
Orcas move with extraordinary speed.
There is no rehearsal, no second chance.
Everything must be decisive: body position, descent angle, framing, and timing.
This image was created through a rapid, committed descent and complete sensory alignment, capturing a single, unrepeatable moment.
Collection Series: 2025 - 2026
Location: Cabo San Lucas, Baja California, Mexico.
Edition Details:
Limited Edition of 30 (Signed & Numbered)
Medium: Fredrix® Archival Fine Art Canvas (Imported from USA).
Printing: EPSON SC 20000 Giclée with HVLP Museum Matte Varnish.
Finish: Hand-stretched on wooden frame with acid-free archival backing tape.
Status: Ready to Hang (No framing required).